Showing posts with label P. Show all posts
Showing posts with label P. Show all posts


Film : Pilla Zamindar
Rating: 3/5
Banner: S S Cinemas
Cast: Nani, Haripriya, Bindu Madhavi, Srinivas Avasarala, Ravu Ramesh, M S Narayana, Sivaprasad, Vennela Kishore, Sameer, Nagineedu, Tagubothu Ramesh and others
Music: Selvaganesh
Cinematographer: Sai Sriram
Producers: D S Rao, S S Buchibabu
Director: G Ashok
Release Date: October 14, 2011



Movie: Panchakshari
My Rating: 2.25/5
Banner: Sri Sai Ratna Creations
Music: Chinna
Cinematography: Vasu
Story: Madhu Vipparthi
Editing: Marthand K Venkatesh
Producer: Bommadevara Ramachandra Rao
Screenplay & Direction: Samudra
Cast: Anushka, Pradeep Rawat, Samrat, Brahmanandam, Ali, Nasser, Raghubabu, Ravi, Sudharani, M S, Jeeva, Chandramohan, Subbaraya Sharma, Telangana Sakuntala etc
Release Date: 11th Jun 2010

Review

Story

The hot star Anushka who has swept the audience off their feet with ‘Arundhati’ has now arrived with another strong role.

The movie starts with 1985 backdrop where a girl is born at temple on a stormy night for a couple (Chandramohan and Rajitha). The temple priest who witnesses this, names the girl as Panchakshari. He also says that the girl gets goddess in her once in a year and for rest of 364 days she will be like normal girl.

Panchakshari (Anushka) is regarded as godwoman in the village and the pious devotees regularly do poojas in the temple and they also carry on a grand bonalu festival once in every year and sees goddess coming inside Panchakshari. They ask her some questions and clear their doubts and woes.

There is a cruel villain (Pradeep Rawat) in Janagam wants to pilfer the treasure underneath the temple, as reported by a secret Archeologist. Panchakshari and the devoted people in village become hurdles for him. So he wants to eliminate Panchakshari. Did he get succeeded in that?

On the other hand Honey (Anushka) is a fashion designer in city and has big dreams. She has a loving family and they want her to get married. Telugu Movie Reviews

Sequence of events lead Honey to the Village and she makes few shocking discoveries. Who is Honey? What does Honey do to get out the problems? All this forms the rest of the story.

Artists Performance:

Anushka has done her bit well and she has fitted herself aptly in the form of a city girl and also as a dedicated devotee. However, her character was not etched with intensity which led to hiccups.

Pradeep Rawat as usual flexed his muscles and used the dubbed baritone voice to look heavy. As such, his character could not deliver that evil shade though his screen presence was good.

Samrat was alright, the ‘Magadheera’ track of Brahmi failed to impress, Ali was alright, Nasser was natural, the artist doing Pradeep Rawat’s wife fitted the role well, Chandramohan was usual, Subbaraya Sharma was standard, Telangana Sakuntala, Raghu Babu, Sudha Rani were routine. Others were there to fill the screen.

Fianl Analysis:

The film runs on an age old track and we have seen that from the times of K R Vijaya so the content part was very weak.

The narrative was poor and the poor writing skills were seen. Few important scenes lacked conviction and what was meant to be an emotional scene ended up becoming a comedy scene for the audience. There are many inconsistencies in the script and not one track fails to take off for a continuous time to engage the audience. It is like bits and pieces put together. One can clearly see traces of ‘Ammoru’ ‘Arundhati’ etc but there is no comparison between them and this same old story.

Samudra has got a very silly way of having comedy and the same silliness is seen even in some crucial scenes. He sure has to update himself with the taste of the audience and the ability to involve them in the film.

Anushka’s introduction song must have been canned in the backdrop of some mall instead of temple. Wearing western outfits and shaking her ‘back’ in front of camera is disgusting and proves to be a wrong blend.

Anushka failed to show ‘roudram’ in her eyes in climax shot. She kept the tongue out like a patient before a doctor but not as Mahakali.

Screenplay is not intact and failed to pull audiences interest

Chandramohan revealing his connection with Nazar sounded like a comedy. People are laughing at this amateur scene in theater.

‘Magadheera’ comedy of Brahmanandam is not presented well.

Ali’s comedy started with great expectations but ended up weak.

Aghora’s character couldn’t pump in fear factor but boosted up sense of humor among audiences those were seen cracking jokes looking at that character

The villain factor is poor and the protagonist Panchakshari’s character is not presented with elevation. The initial scene says that Panchakshari is going to be powerful divine girl. But that’s not shown in required tempo afterwards.

Songs are good, cinematography is excellent and the art direction is also impressive. On a whole, this movie is ruled out for A centers and it’s a doubt if B, C center audience patronage this as their taste is also changing from decade to decade. This movie recalls the goddess movies of 80s and early 90s.

VERDICT : Below Average


Movie: Prasthaanam
My Rating: 3/5
Banner: V R C Media and Entertainments
Music: Mahesh Shankar
Cinematography: Shyam Dutt
Editing: Dharmendra Kakarala
Producer: Vallabhaneni Ravi
Direction, Story & Screenplay: Deva Katta
Cast: Sharwanand, Sandeep, Sai Kumar, Ruby Parihar, Jeeva, Jayaprakash Reddy, Vennela Kishore, Surekha Vani, Reshma, Ghosh, master Atulith etc
Release Date: 16th Apr 2010

Review

Story

Lokanath (Saikumar) is very active in politics and is a key person to a party. A sequence of events gets his leader killed and he ends up marrying the leader’s wife and looks after their family.

Deceased leader’s son Mitra (Sharwanand) follows Loki’s footsteps and grows as a leader. However, Loki has his own son Chinna (Sandeep) who is keen on entering politics but is disregarded.

He turns against everyone and that creates a major chaos in the family. What happens after that forms the rest of the story. telugu-film-reviews.blogspot.com

Artists Performance:

Sharwanand has got a key role to play but then the first half sees him rather subdued, it is during the second half one gets to see his potential. Given the powerful character, Sharwanand should have worked on his dialogue delivery at few places. Overall, he did a good job.

Sandeep is a revelation. Despite his fresh attempt, he has shown phenomenal confidence in front of the camera and has scored the brownie points. His performance leaves an impact and he has got a bright future.

Sai Kumar is apt for the role and shows the required maturity and composure. Few of his dialogues were intense and deep but only the dialogue king can give that punch to it. He should start focusing on bagging more roles on the silver screen and utilize his potential to the fullest.

Jeeva was the best bet as contractor Basireddy and he shows enough venom, Jayaprakash Reddy was hilarious, Vennela Kishore failed to impress, Ghosh as inspector made his presence felt, he is one to look out for in the future, Ruby was there for songs, Surekha Vani was standard, Reshma looks ravishingly beautiful, more focus should be kept on her. The other artistes who hail from the ‘Chakravaakam’ serial have done a fabulous job.

Final Analysis:

The film is ideally a political thriller but it is merely a backdrop that depicts the various shades of human emotions and how man can resort to extremities in life purely out of greed. The dialogues were mind blowing but a few could go above the head for the mass audience, the script was strong and the screenplay was effective. Background score was awesome and all the songs were good. Full marks to cinematography and art department, editing was crisp. The real strength of the film is the dialogues and the storyline.

On the flip side, two songs during the second half were unnecessary and they have dragged the film to an extent. The film is quite serious and there is a strong dose of philosophy despite the scenarios.

Content wise the movie has got it all but in a layman sense, there are places when the mass audience will find it hard to connect. The first half goes of breezily but the second half gets dragged to an extent.

Not much of a thing for family audience. Overall, this is a hard hitting treat and deals with complex human emotions so those who like such stuff will relish it.

VERDICT : First Half is Execellent and Second Half OK